Suite101 Interview, November 30, 2009 "THEATER IN THE BAR A BAR OF JAZZ" Periodical
Link to interview http://www.suite101.net/profile.cfm / Jâlons
http://teatro.suite101.net/article.cfm/teatro_en_la_barra_de_un_bar_de_jazz
Theatre in a bar 15
jazz mixed with the public actors depicting scenes from movies
© Alonso Javier Ezquerra
30-Nov-2009
"Blah blah blah" is a groundbreaking work. 15 actors represented by the bar of a jazz club some of the most famous scenes in cinema. Woody Allen is not lacking.
"Blah, blah, blah" is not a common task. The actors are sitting in the audience, chatting with them as if they had known of a lifetime while having a drink, and share experiences. Suddenly, change his address and the action begins. Swing Jazz
The hall in Madrid was the place chosen to represent this play throughout the month of November. The actress Nuria Delgado One of its main characters, tells us what this experience was.
What's behind "Blah, blah, blah"? Behind
"Blah, blah, blah" is a previous 5 months with our director, Michael Pittier (actor, director, coach of Imanol Arias), of which the first 3 were focused on improvisational work and interaction in different situations among fellow obra.Tras this hard work, two months after the tests we focus on what has become this unusual spectacle theater.
How did the idea of \u200b\u200bdoing this work so different? Because you are sitting in the audience and suddenly the action starts.
The idea came from our director who had made such a spectacle in Argentina , but not so complex. This work is innovative in Spain.
The actors are sitting in the audience to play the dismissal of the viewer and gives rise to improvisation before the show, which is very interesting.
What is the reaction of people to the beginning and the plot development?
According to the actual comments from viewers, do not really know what the exact start of the show. Once begun, people are a bit clueless until your participation in the plot and pay close attention to feel one of us.
And his interaction with the public?
For me it is still an unforgettable experience because every day is a different show, as it is open to the public and the state in which we find the actors. I'm learning a lot as it is a challenge to act touching the viewer.
A new show but also complex
has been a work of great concentration and time-measuring training because at various times of the show we talk about the three groups of actors at a time and move us to represent different scenes. It is a very dynamic.
Why "Blah, blah, blah"? Do not say anything interesting in his dialogues?
"Blah, blah, blah" because they are fragments of words, dialogues, scenes. Are random stories that succeed each other, interspersed with the single thread of the investigation of a mysterious murder and no other purpose than to provoke the curiosity of the spectators.
These dialogues known movies. Which of the films are left?
Most movies are Woody Allen, with his peculiar humor. Of these, I'll stick with "Celebrity," I keep a special affection. As I saw it I knew I wanted to play a scene from the film and finally got it, but hey I'm in love with Woody Allen film.
The work's have been playing in a room (a jazz bar) and not in a theater. What is the reason?
The purpose was to represent the show in an informal space to interact with viewers and that could have a drink while enjoying the show. The jazz club "Le Swing" has proved the perfect place because it is suitable for power distribution in three groups of players working simultaneously.
Do you intend to continue with the experience and make more representations or visit other cities?
This is a show that began on October 26 and ended on November 29, but if it is true that there have been many calls to attend the assembly and we have fallen short of the number of performances. But that is to consider this and we'll see what happens.
What other projects do you have? More theater, film, television?
will participate if all goes well in the next production directed by Michael Pittier, that will not leave anyone indifferent, as everything does, and continue to participate in TV episodes of series that I continue to offer until the time comes that someone trusts me and gives me an interesting role. I love to work in film, is my great ambition since childhood.
if (document.getElementById ('inline_ads'))
document.getElementById ('inline_ads'). InnerHTML = document.getElementById ('inline_ads_hidden'). InnerHTML;
Theatre The copyright of the article in the bar of a jazz bar , published in Theatre belongs to Alonso Javier Ezquerra . You need the express consent of its author for publication or reproduction in whole or in part, through print, online or through any other medium or format theater in the bar of a jazz bar.
openImage function (image_id) {
winHeight var = 730;
winWidth var = 860;
var top = ((Screen.Height-winHeight) / 2) -30;
var left = ((Screen.Width-winWidth) / 2) -20;
imageWindow var = window.open ('http://www.suite101.net/view_image.cfm/' + image_id, 'imageWindow', 'top =' + top + ', left =' + left + ', screenX =' + top + ', screenY =' + left + ', height =' + winHeight + ', width =' + winWidth + ', toolbar = 0, location = 0, menubar = 0, directories = 0, resizable = 1, scrollbars = 1 ')
imageWindow.focus ();}
A point in the play
Nuria Delgado, one of the protagonists of the work
actress Nuria Delgado
Read more : http://teatro.suite101.net/article.cfm/teatro_en_la_barra_de_un_bar_de_jazz # ixzz0YNBdsnQF
Monday, November 30, 2009
Sunday, November 15, 2009
Sunday, September 6, 2009
Can Black Truffle Go Off?
Blackbeard 54mm
(Click on image to enlarge)
Very good here we are starting the project with a figure, this is it:). Motivation
: I must confess that my preference for one or another historical period when choosing a figure is completely void. So my motivation to paint this figure has been as always, purely aesthetic . To say that sculpture is a wonder, as all it does Joaquin Palacios, and diversity of detail makes it very fun to paint.
Atmosphere: The idea was to place the piece in a cave at night, where the water broke and they were going to stop wrecks.
Painting: Since wanted that night was atmosphere, I have tried to illuminate the right and make the shading prevail, using pure black for the last shadow in almost all parts of the figure. As
new to me, I tried to use colors Citadel, either alone or mixed with Vallejo (be careful because some colors do not mix well at all).
From top to bottom:
-Hat. Base: Black Chaos ( citadel ) + Snakebite leather ( citadel). The Chaos Black satin a bit, so that the leather does not hurt. Lights: Snakebite Leather . Just apply two lights and the rest I did by tapping with Snakebite Beige Leather + MC 917. Shade: Base + Chaos Black to reach pure black.
-handkerchief. Base: red carmine MC 965. Lights: Base + Meat golden MC 845. Shadows: Base + Black MC 950.
-Cara.Base: Brown Arena 876.Luces MC: Base + Dwarf Flesh ( citadel ) + Elf Flesh ( citadel). Shadows: Dark Flesh ( citadel). Medium shade in Scarlet cheeks MC 965. Temples: Red Violet MC 812. On the face is where most have varied my usual mix, saving the base and mid-tones. It was the first time I used colors citadel for the skin, and I liked very much for your transparency. In the photos I do not get to see, but we draw a cut on his left cheek, using Elf and Flesh Dark Flesh pure to simulate the scar.
-Jacket. Base: Brown olive MC 889. Lights: Base + Snakebite Leather Brown + Arena 876 + MC Brown MC cover 986. Shadows: Base + Black MC 950.
-Belts. Base: 40% Black MC 950 60% Orange intense MC 851. Lights: Base + + Meat intense golden orange MC MC 845 + White 951. Shade: Base + Black. As in the hat only apply three lights, and the rest tap to get the texture. With the different shades of light was also making Cortecito . To finish apply a dot on the parts of Black shadows MC brilliant Prussian blue 861 + MC 965.
- pants. Base: 80% Prussian blue MC MC 965 + Black 950. Lights: Prussian Blue MC 965 + Meat golden MC 845. Shade: Base + Black MC 950. To stain the glazes did pants with olive MC Brown 889 first and then with oil filters using burnt sienna.
-Socks. Base: Beige MC 917. To work this part applies to oil filters of natural soil, burnt sienna and black. Accumulating more and more paint on the bottom. When the oil was dry, reiluminé wrinkle Beige MC 917.
Well I think these are the most representative in Fig. If you want mixtures a supplement that you miss me, just you have to ask.
Greetings and welcome. Soon
in Inglés .
Very good here we are starting the project with a figure, this is it:). Motivation
: I must confess that my preference for one or another historical period when choosing a figure is completely void. So my motivation to paint this figure has been as always, purely aesthetic . To say that sculpture is a wonder, as all it does Joaquin Palacios, and diversity of detail makes it very fun to paint.
Atmosphere: The idea was to place the piece in a cave at night, where the water broke and they were going to stop wrecks.
Painting: Since wanted that night was atmosphere, I have tried to illuminate the right and make the shading prevail, using pure black for the last shadow in almost all parts of the figure. As
new to me, I tried to use colors Citadel, either alone or mixed with Vallejo (be careful because some colors do not mix well at all).
From top to bottom:
-Hat. Base: Black Chaos ( citadel ) + Snakebite leather ( citadel). The Chaos Black satin a bit, so that the leather does not hurt. Lights: Snakebite Leather . Just apply two lights and the rest I did by tapping with Snakebite Beige Leather + MC 917. Shade: Base + Chaos Black to reach pure black.
-handkerchief. Base: red carmine MC 965. Lights: Base + Meat golden MC 845. Shadows: Base + Black MC 950.
-Cara.Base: Brown Arena 876.Luces MC: Base + Dwarf Flesh ( citadel ) + Elf Flesh ( citadel). Shadows: Dark Flesh ( citadel). Medium shade in Scarlet cheeks MC 965. Temples: Red Violet MC 812. On the face is where most have varied my usual mix, saving the base and mid-tones. It was the first time I used colors citadel for the skin, and I liked very much for your transparency. In the photos I do not get to see, but we draw a cut on his left cheek, using Elf and Flesh Dark Flesh pure to simulate the scar.
-Jacket. Base: Brown olive MC 889. Lights: Base + Snakebite Leather Brown + Arena 876 + MC Brown MC cover 986. Shadows: Base + Black MC 950.
-Belts. Base: 40% Black MC 950 60% Orange intense MC 851. Lights: Base + + Meat intense golden orange MC MC 845 + White 951. Shade: Base + Black. As in the hat only apply three lights, and the rest tap to get the texture. With the different shades of light was also making Cortecito . To finish apply a dot on the parts of Black shadows MC brilliant Prussian blue 861 + MC 965.
- pants. Base: 80% Prussian blue MC MC 965 + Black 950. Lights: Prussian Blue MC 965 + Meat golden MC 845. Shade: Base + Black MC 950. To stain the glazes did pants with olive MC Brown 889 first and then with oil filters using burnt sienna.
-Socks. Base: Beige MC 917. To work this part applies to oil filters of natural soil, burnt sienna and black. Accumulating more and more paint on the bottom. When the oil was dry, reiluminé wrinkle Beige MC 917.
Well I think these are the most representative in Fig. If you want mixtures a supplement that you miss me, just you have to ask.
Greetings and welcome. Soon
in Inglés .
Subscribe to:
Comments (Atom)