If there is a Musicological speaking community, would now be in full swing. After many years, is launching the project of a new History of Music in Spain , driven by the Fondo de Cultura Economica, Spain and directed by music critic John A. Vela del Campo. 
At first, the novelty of the initiative is in the second part of the title of the book: "History of Music in Spain and Latin America." Almost in passing, the project goes beyond the problem-already notabilis-national history and takes account of the musical evolution of the entire subcontinent.
The full collection will include eight volumes as follows:
At first, the novelty of the initiative is in the second part of the title of the book: "History of Music in Spain and Latin America." Almost in passing, the project goes beyond the problem-already notabilis-national history and takes account of the musical evolution of the entire subcontinent.
The full collection will include eight volumes as follows:
1. From its origins to c. 1470
2. Of the Catholic Kings Philip II
3. The music in the seventeenth century
4. The music in the eighteenth century
5. Music in Spain in the nineteenth century
6. Music in Latin America in the nineteenth century
7. Music in Spain during the twentieth century
8. Music in Latin America in the twentieth century
understand that the volumes 2, 3 and 4 will address together the Hispanic (of the two sides of the ocean). At the moment, Volume 1 came out and was just released the number 6-the nineteenth-century Latin American music, "directed by Eli Consuelo Carredano and Victoria. Given the aging
is the History of English Music Alliance and the lack of musical stories in our Latin American book market, the project deserves all sorts of congratulations. However, it could make many objections to a plan set leaves, venting, many untied ends. Maybe at another time (and in another forum) to order my opinions. What I want with this post is to account for volume 6 chapter devoted to chamber music in nineteenth-century Latin America. Consuelo Carredano writes. 
I read with much pleasure Carredano essay devoted to the Cuarteto Latinoamericano. Strings riots titled: Cuarteto Latinoamericano, twenty years of music (Mexico: FCE, 2003), is a book that should grow in the music publishing market-English: entertaining, informative, very well told ... With that background, I I made few hours with the new publication and I just finished Introduction and Chapter VII, entitled briefly Chamber music.
2. Of the Catholic Kings Philip II
3. The music in the seventeenth century
4. The music in the eighteenth century
5. Music in Spain in the nineteenth century
6. Music in Latin America in the nineteenth century
7. Music in Spain during the twentieth century
8. Music in Latin America in the twentieth century
understand that the volumes 2, 3 and 4 will address together the Hispanic (of the two sides of the ocean). At the moment, Volume 1 came out and was just released the number 6-the nineteenth-century Latin American music, "directed by Eli Consuelo Carredano and Victoria. Given the aging
is the History of English Music Alliance and the lack of musical stories in our Latin American book market, the project deserves all sorts of congratulations. However, it could make many objections to a plan set leaves, venting, many untied ends. Maybe at another time (and in another forum) to order my opinions. What I want with this post is to account for volume 6 chapter devoted to chamber music in nineteenth-century Latin America. Consuelo Carredano writes.
I read with much pleasure Carredano essay devoted to the Cuarteto Latinoamericano. Strings riots titled: Cuarteto Latinoamericano, twenty years of music (Mexico: FCE, 2003), is a book that should grow in the music publishing market-English: entertaining, informative, very well told ... With that background, I I made few hours with the new publication and I just finished Introduction and Chapter VII, entitled briefly Chamber music.
continued ...
0 comments:
Post a Comment